After having been retired for 18 years she released a new album in 1998. Her voice had a range of more than three octaves Duke Ellington said that when she did not sing the parts that he wrote for her, he had to use three different singers.Īlice Babs currently resides in Sweden. Among other works, Alice Babs performed his second and third Sacred Concerts that were originally written for her. A long and productive period of collaboration with Duke Ellington started in 1963. The group would later tour the USA together, before dissolving in 1965. The same year, she formed Swe-Danes with Ulrik Neumann and Svend Asmussen. In 1958, Alice Babs was the first artist to represent Sweden in the Eurovision Song Contest, finishing in 4 th place with the song Lilla stjärna (Little Star). A vicar called the Alice Babs cult the "foot and mouth disease to cultural life". Despite playing the well-behaved, good-hearted, cheerful girl, the youth culture forming with Alice Babs as its icon caused outrage among members of the older generation. Making her breakthrough in Swing it magistern (Swing It, Teacher!) (1940), she appeared in more than a dozen Swedish language-films. Swedish folklore, Elizabethan songs and opera - she is best known internationally as a jazz singer. While she has worked in a wide number of genres - e.g. The lessons couldn't destroy her natural talent and she got more and more attention and in 1939 she sang at nightclubs like Berns or China and got a record contract.Īlice Babs has performed with all the big names in Swedish music, people like Charlie Norman, Putte Wickman and Arne Domnérus. But on the train back home she met a voice coach who promised to give her singing lessons. Her father took her to Stockholm when she was 13 and got an offer to sing at a nightclub but had to reject the offer. Her parents sang and played in amateur theatre. Filmen blev Alice Babs store gennembrud som skuespillere og sangere. Nedenstående er en automatisk oversættelse af artiklen Swing it, magistern fra den svenske Wikipedia, udført af GramTrans den 21:04:50. And by extension, a study of the early phases of the Alice Babs phenomenon may not only add to these fields of research in terms of empirical mapping, but also by orienting such studies towards specific historical-contextual webs of significance.The Swedish soprano singer and actress, Alice Babs (born: Hildur Alice Nilsson), was born in Kalmar. Wikipedias Swing it, magistern as translated by GramTrans.
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As such, she may be regarded as a less conspicuous or controversial, yet perhaps for that very reason also more widely accepted, example of swing culture as the main symbolic expression of youth culture, celebrity culture and fandom during the Second World War. This turned her into a role model for numerous young women who responded to her success by they themselves performing as “Babses,” whether by participating in the numerous local talent shows for Danish “Babses” or by simply emulating her style of clothes, hairdo and dance movements. And by achieving success through her musical talent and image of “naturalness,” she bypassed the conventional heteronormative sexualization of female film and music stars.
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Being the first truly successful adolescent star in Denmark during this era, she personified a distinct youth culture and its acceptance by large sectors of the public. While not contesting traditional racial stereotypes head-on, her version of Nordicness incorporated elements of African-American culture as unproblematic.
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Hence, the young Alice Babs introduced in the movie Swing it, magistern came to represent, in non-rebellious and seemingly depoliticized forms, a discrete but significant readjustment in mainstream Danish approaches to several constituent elements of an imagined Danish, Nordic or European social order as independent of Nazism. In this situation, a young, talented female swing singer from unoccupied Sweden provided Danish audiences with the best possible replacement for American products while, at the same time, reformulating old feelings of Nordic identity as an alternative and subtle challenge to Nazi attempts at monopolizing Nordicness in openly racist forms. Occupied by Nazi Germany, Danish audiences demanded light entertainment as never before but were cut off from their favorite British and (particularly) American cultural products. The successful launch of her career established her as the leading youth idol not only in her native Sweden but also in neighboring Denmark.
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Swedish jazz singer Alice Babs, these days primarily known for her role in the virtuoso trio the Swe-Danes around 1960 as well as her later collaboration with Duke Ellington, experienced her first big breakthrough as a teenage singing star in 1940–41.
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Alice Babs, popular culture, Denmark, swing, 1940s Abstract